#what tags could i possibly use

[soupjug]

i tried to remember and now i have a headache

[stealingyourbones]

Out of all of the people The Ghost King Phantom expected to relate to, it definitely wasn’t the scrawny red headed photographer of the Daily Planet. Jimmy Olsen has gotten so many temporary superpowers over his time being Superman’s friend. Hell, he once gained a 4th dimensional being’s reality warping abilities when he was given said dimensional being’s powers during a fight. Sure there’s a dozen or so heroes with the same amount of powers he has, but none as suddenly granted to them as a all powerful god that can relate to a teenager.

[dykedvonte]

You ever just see a Mouthwashing take that makes you want to bang your head into a wall? I literally just saw someone claim Curly couldn't have been emotionally abused by Jimmy before the crash because he was in a higher position of power than Jimmy.

-Shrimp Anon

The mouthwashing fandom has shown me that people genuinely do believe that certain types of abuse are not as detrimental as other types especially when they deem those immune/resistant, ergo, believing one is objectively worse no matter how it affects the person nor the intersections of power, history and dynamics at play.

Get ready cause this is a yap session:

Cause like it's heavily implied that Curly and Jimmy's friendship was toxic and abusive, pointedly in the direction of how Jimmy uses Curly's belief/comfort in him. Curly wasn't forced to enable Jimmy but he was emotional and mentally on edge around him in almost every scene in some way. Mental and emotional abuse are not contingent on what positions you have at work. Yeah, he's Jimmy's boss but he was Jimmy's friend first and it's like getting into Psych discussion to talk about how social power tends to overshadow any perceived organizational power in the human mind. People are concerned about their jobs ofc but they tend to hang onto and put more value/investment into their personal relationships, hence why there tends to be laws and restrictions around mixing the two.

I always see the sentiments that "Curly is a grown ass man", "Curly is bigger than Jimmy", "Curly is Jimmy's boss", "He just needed a backbone" as criticisms of Curly and while I do agree that on the surface level all of these to be true and viable ways Curly could've taken more control of the situation, I often look at the parallels of Anya and Curly as victims of Jimmy pre/post crash.

The way Jimmy talks to Anya post crash is how he talked to Curly in the pre-crash segments. It's hard to pin-point mainly because we know he hates and wants nothing to do with Anya compared to his contrary but similarly handled obsessions with Curly. It's a weird sort of "honey-moon" effect of abuse Jimmy does in terms of emotional and mental victimization. He is always horrid to Anya, always talking down or questioning her abilities and thoughts in a situation, this of course includes the harassment and assault. However, he has a moment of attempted gentleness/conditioning when he question her about the mouthwash when she's contemplating drinking it at the table. The key difference is he has no personal investment in Jimmy outside wanting nothing to do with him, meaning there is no sort of romanticized version of him that he can condition her off of. He knows this, hence, why he always reverts to trying to make her to scared to oppose him.

This sort of give and take of "kindness" doesn't work on her because she knows he is just doing it to take more from her than whatever he could possibly give but it reflects even the "softer" scenes between him and Curly where he always rewords or rephrases Curly's sentiments and concerns to sound more shallow. He is feigning a deeper understanding by reworking Curly's emotions into something bad and needing to be hidden. Everything is laced with envy and resentment, an outburst just around the corner, I mean he even slams the table in the birthday party scene, a tactic in emotional manipulation to set the victim on edge and cloud their ability to respond. Even if Curly knows Jimmy won't get physical in that moment, the physical actions is intended to make him back down in the confrontation in case it does. This is something that is just not person specific. It ingrains itself into how you interact with the world and life and it shows in major and minor ways with Curly.

Post-crash, the abusive nature is more in tandem to the physical victimization Anya went through and the stripping of voice and autonomy we see take place. Like the parasite in HFIM, Jimmy speaks for Curly most of the time and puts words in his mouth, similarly to how he takes Anya's plans as his own. He very commonly, with the both of them mind you, supplements the worst aspects of himself into them; pettiness, selfishness, lack of understanding... And tries to cover himself with their best qualities; kindness, planning, initiative, etc...

These parallel are just to say that positional power has little to do with if a person can be abused and how it can even be flipped to further the abuse. There is no doubt that Curly could've picked up on Jimmy's envy of his position hence another reason he never confronted him as a Captain but as a friend as doing so would immediately put Jimmy in a space to be confrontational/combative.

I think the disdain some people have when they talk about the heavily implied if not implicitly stated emotional/mental abuse Curly experienced being Jimmy's friend is when treating it as an excuse to why he didn't do more. I can understand that completely because it is not an excuse to why he didn't do more but is a very real reason people in his position in these scenarios can experience whether in the context of a work or social environment. However, I also think the way people talk about it really does demonstrate a bigger problem when talking about abuse when somehow who is/was abused is either part of the issue or enabled it.

Harkening back to the sentiments about Curly's inaction regarding Jimmy, I think the exact phrases I used/have seen show how there is an inherent belief that it is easier to overpower the effects of emotional/mental abuse that go in tandem with the perception of Curly as someone who should be able to. There is not an age you suddenly stop being susceptible to abuse nor a set point or low where you realize how it has affected you. You don't suddenly know to stand up or put a face on to face your abuser nor admit that you inadvertently enabled them to subjugate someone else to the same treatment. Maybe it's my psych brain but their is this growing belief that direct action is somehow easy or always the best method with the game shows you instances where it is not always the case. In real life that rings true too. He should have done more, but it's not impossible to see why he struggled to find a way or didn't even if it makes us mad.

It's not easy to suddenly gain a "back-bone". You don't immediately want to resort to aggression, especially if it mirrors the type you were a victim to. You don't want to believe you allowed yourself to be treated this bad, let it get that bad or allowed something bad to happen to someone else. It is easy to be in denial, to retreat to your thoughts or make excuses to avoid the painful truth. It's frustrating but in a way we know is relatable. It why we both hate and love Curly for it. We know we'd be better, we think we'd be better, we like to think we wouldn't falter in the same ways but it's always easier to say that from the outside looking in. It's easy to see what he was doing wrong because we are seeing it, not him, but the game really does make you picture what you would do if this was your raw reality and it's why this debate about Curly seems so never ending/contradictory. We can all say what we'd do but bottom line is that's much different when you're in the moment with all the emotions and human feelings attached.

I personally think Mouthwashing tackles the themes of rape culture, enabling, toxic masculinity, types of abuse and patriarchy in ways that are meant to deconstruct the typical straightforward views we mostly have of these concepts and how little subtilities of them are just as, if not more, detrimental than the overt/obvious parts. The game deals with the idea of little details and bigger picture in a way to show that sometimes the bigger picture is not the issue but the little details that make it up. It's why I have a personal dislike of depictions of Jimmy as the typical horrible person who would of course do something like this because the game is about noticing the little warning signs, the foreshadowing and foresight.

It's why I dislike the typical discussion of "bro code" and "boys will be boys" for the game because the game makes a point to avoid the standard depictions of such. It is about the type of men who still enable despite not condoning, agreeing or even perpetuating harmful beliefs because they can't see the little details or the ways it seeps into their everyday. The severity is not obvious to them as it was not obvious to Curly, Swansea or even Daisuke the way it was to a woman like Anya. There are little details about Jimmy that should ring alarms but if you are too naive like Daisuke, too distant like Swansea or too conditioned like Curly, they are just off markers.

There is 100% more constructive/concise ways to say "Curly was a victim of Jimmy's abuse on an emotional and mental aspect that clouded his judgements and perceptions in the scenario" while also critiquing on the side of "Curly still had a responsibility to protect Anya as a crew mate and Captain that he failed to do due to biases and stigma's he failed to surpass" without the weird condemnation people give him about should've knowing better than to let himself be manipulated by a person he considered a close, if not family/best-friend and had his own reasons to trust initially. Also stop being weird about victims of abuse in general with this fandom, like sorry not everyone has a like social epiphany the moment someone's nasty to them. People are treating it like you immediately know when you are in a toxic relationship immediately or comprehend when a person is actively dangerous and either it's your fault for not knowing how to leave/cut them off or you deserve it. Like the hypocrisy of people believing how certain fans treat the story reflect their irl views but not their own is crazy.

End statement is: I honestly don't even know man, I've been writing this too long and just like no man on that ship was perfect or really helped Anya when it mattered and I feel like pitting them against each other in discussion on who did the least or most or how it was justified sucks cause in the end Anya always did the most and best thing for herself.

[droodlebug]

I AM going to go outside and get some good pictures to post before I bring him to dragoncon this weekend BUT !

Wyll is finally done. I think he turned out cute despite all the trouble he gave me making him. He has two sets of hands, one with claws one without, and magnetic horns. and you can barely even tell his scalp popped off 3 times !

[shuploc]

Ai art?

Are you fucking joking?

Sorry, no, it is not and I find it so disrespectful you would even think to ask that. I have not and will NEVER touch anything AI related ever in my life, I think it's so utterly pointless and destructive and it frankly makes me wanna kill myself.

So no, it is not and never will be, and you can safely hold that to me for the rest of my existence. I really hope this is the last time someone asks me this.

[r0semultiverse]

Small indie artists in need of support for moving out by September!

💜 These lovely folks [@QuinsCurse (they/them) & @sswitchblade03 (xe/xem and he/him)] are part of a small queer-owned Youtube community I'm in. 💖

💖 If you could lend a helping hand by reblogging & queueing this post up until the start of September, I'd greatly appreciate it & I'm sure these fine folks would too! 💜

⚠️ Do not tag as d*nations or anything like that! ⚠️

"Hi everyone! Requests are officially closed as I am opening emergency commissions! Please consider supporting me as we are getting kicked out and have managed to find a place that’s affordable but need to save up 5k by the end of the month! Anything helps! I also have a dontations page if you are willing to help do that! All the money received from commissions will be going to the deposit! https://ko-fi.com/quinscurse/commissions https://ko-fi.com/quinscurse/goal?g=32"

⚠️ Do not tag as d*nations or anything like that! ⚠️

"https://ko-fi.com/sswitchblade03/commissions https://ko-fi.com/sswitchblade03/goal?g=0 EMERGENCY COMMISSIONS!! My roommate ‪@QuinsCurse‬and I are needing about $5000CAD for a down payment on a new place as we need to be out of our current place by September! Every bit counts! My goal is to be set to $3000CAD. I will draw anything (coloured and rendered) for $5 CAD each! If you are willing to give more it will be appreciated. Examples of my work below!"

⚠️ Do not tag as d*nations or anything like that! ⚠️

[poorly-drawn-mdzs]

Peeped the horrors

[First] Prev <–-> Next

[yomi-art]

i went through hell for that damned jacket. i need to kiss whoever made it

[starrysharks]

hotel manager

[creative-robot]

I know The Founders Cut, generally, is the edited scrubbed over version of genloss from Showfall in-universe (as well as a not-8-hour-long-three-stream-binge-night whenever we want to watch it again) but something that struck me as odd and I haven’t seen anyone mention yet, is this warning

It shows up right at the junction where the third act starts, where it appears the Hero is breaking free of Showfall thanks to Hetch. But here’s the thing, while a LOT less than the previous acts the audience still played a significant role in this act, even when really only given two audience interaction choices. Which makes me wonder, how real is this warning, and who is it for? Obviously the audience involved knows what happens past this point, but the audience is also implied to be an integral part of the Social Experiments, which is part of why things start to tweak out when the Founder removes them in the Founder Cut as the Generation Loss generation loses.

My first thought, was that obviously this is another bait and switch, a way to draw the audiences attention, seeing something that’s secret, something that’s not “meant for them”, which is a tactic I could see Showfall using in universe to keep people’s attention and add an air of mystery to their shows.

But

Showfall is doing all their experiments and these shows with a LOT of help from their censors to show it off, displaying a fun silly show that is definitely not uber fucked up and that is 100% just slime don’t worry about it, it’s kid friendly if it’s green! And I don’t think they’d want to bet all their cards on this one experiment doing well enough to their audience to not question the sudden shift in tone that follows this warning. Which makes me wonder.

They did their test, they did their experiment, and the evidence of this last act? I think it was a one time run, they don’t want anyone seeing this, it isn’t for the audience. Act three is specifically to both test and play with their Hero, Hetch’s new lines add a level to this, never once does he call the Hero by their name, just refers to Ranboo as their Role, and he’s not exactly. Nice? About literally any of Ranboos concerns, which wouldn’t really seem conductive to making an audience trust him, especially with his monologue at the end. Ranboo has escaped before, possibly right before act 1 started, they tightened the security on his mask to be unremovably part of them, Hetch doesn’t like the Hero but they’re a fan favorite so he can’t just get rid of them.

Act three is the cumulation of Ranboo being punished for things they don’t remember, for daring to break free from Showfalls control, this is Hetch taking the Hero and essentially majorly fucking and manipulating them to take his frustration out on a fan favorite they can’t otherwise get rid of or give a smaller role like Slimecicle. which is exemplified by the fact that we now know Charlie most likely was never able to actually able to fully snap out of the control, that even in act three in panic and confusion there was at least still a part of him being influenced by Showfall.

So the first two acts are the usual show, they have their posters, they have Squiggles to introduce them, they have goofs and silliness and only a couple slip ups that’re quickly dealt with, the usual rose tinted curtains. Act three?

Do not watch the following material

[tartppola]

Does anyone know what the timeline of the TWST main story is??? iirc Heartslabyul takes place in September before Ace’s birthday. Actually I think Prologue & Heartslabyul spans at least a week at max 😭😭

Savanaclaw is probably Late October… purely bcs I don’t think they’d do a school festival so early into the year

Octavinelle is like November-> Early December to me bcs it’s the midterm exam period, & idt they’d do exams right after a festival, but who knows…

Scarabia’s over winter break so December ->January

Pomefiore is probably??? somewhere around January as well?? Because I remember it was still snowing from the cutscene that Prefect has with Kalim abt his disappointment on not being a main singer. I’m betting on Late January at earliest. And Ignihyde takes place literally the night after Pomefiore 😭😭😭 This is also just guesswork based on how far up north the Sage’s Isle is, I assume the winters last longer there.

As for Diasomnia I got no clue at all 💔💔 all ik is that it should be getting warmer bcs of the reactions the characters have towards Malleus causing snow & winds to pick up… I used to think it was March but it probably isn’t 😭

if anyone would like to refute/add onto anything please feel free to do so!! This is all just guesswork 🙏🙏🙏

[kingly-court]

I’m legitimately gonna explode if I don’t find someone else who understand the background tragedy of the Gleeful Family in Gravity falls.

[deoidesign]

Well here's an Art vs artist meme with some art from this year!

I don't think I've ever done one of these before, but I really like this jacket. It's a marlboro jacket but I don't smoke and I already feel bad telling people I don't have a light and that will be bad x100 when I'm literally wearing a cigarette jacket so I tried to cover the patch up with one I made. cause I really like this jacket

[beneathsilverstars]

i keep adding things to this one post and then realizing they'd make more sense as a separate post. so here's how the party explained what happened in dagger ending au to bonnie:

Siffrin was very sad and worried about everyone leaving, because he was alone before he met us and he didn't want to be alone again. But he didn't talk about it because we all had plans that seemed very important, and he didn't want to get in the way, and he didn't want to admit that he didn't have anything else to do. It sounds pretty silly when you put it like that, but the rest of us were nervous to admit how much we cared about each other, too! Sometimes it's hard to tell someone how important they are to you, if you don't know whether you're important to them.

During the quest it was okay, because Siffrin knew we would stay together until Vaugarde was saved. But getting to Dormont meant the quest was almost over, and they got so upset at the idea of everyone leaving, that they didn't really care about what they were doing. Why did it matter what happened to them, when they were going to be sad and alone tomorrow either way? So they weren't very careful while they were training, and they got hurt. Luckily Odile saw, and Mirabelle healed them right up.

Now, he's really glad that we all decided to stay together longer! But he might still feel worried for a while, because it's hard to believe that everyone isn't leaving, after he's been dreading it for so long. And sometimes when you're sad for a long time, your brain just tries to keep being sad even when there isn't any reason to be. But if we keep reminding him that we love him just as much as he loves us, it'll start to stick in his brain better! We might also need to remind him to be careful and take care of himself, because that can be hard to remember when you're sad. And while he practices that, we can help take care of him, too!

[sanchoyoscribbles]

maybe link should consider that I filled my inventory with salted milky smoothies right before the fight and spent all that time leveling up the sword and energy gauges tho ...🥲

[ruvviks]

// oc deep dive.

tagged by; @aztarion and @devilbrakers, thank you so much!!

tagging; @mojaves, @deadrlngers, @ordinarymaine, @claudiawolf, @adelaidedrubman and YOU!

What common/uncommon fear do they have?

Nathan has a lot of fears stemming from his paranoia. Tangible ones such as getting captured or killed by MOBIUS, his friends walking away from him, or someone following him home; as well as more unrealistic ones, such as somehow ending up back in STEM, or getting stuck in a time loop, or a giant sinkhole all the way to the core of the earth opening up right at his feet.

It also happens often enough that certain actions don’t necessarily scare him, but make him uncomfortable or highly on edge (often with good reason); think of someone locking the door of the room he’s in– especially when it’s just them two– or getting too close without warning. He often fears people he gets too close to will end up treating him like the Administrator did, which is why it takes a while for him to let Sebastian get any closer physically, despite warming up to him relatively fast.

A more uncommon fear he has is waking up one morning and having lost one of his senses or his ability to speak. Aside from the mental erosion that had become a growing issue among Union citizens, MOBIUS observed a similar kind of process in its agents who regularly jumped in and out of STEM for general maintenance and the like– presumably caused by the constant changes in brain activity, which more than often led to exactly what Nathan’s fear mentioned above describes. While he was among the agents who worked both in and outside of STEM on the Union environment, he was lucky enough to never suffer the consequences.

Lastly, he is deadly afraid of Anima. Despite not having shown any other symptom of succumbing to the STEM domination process, Nathan would have started seeing her around sometime before Lily vanished– presumably got her attention after some of his escapades in the secret labs in the Marrow– and he has not been able to sleep soundly in STEM ever since. While his fear of her mostly acts up when he’s in a STEM environment, it definitely translates over to the real world as well; during bad mental health episodes he has auditory hallucinations of her, and she makes regular appearances in his nightmares too.

Do they have any pet peeves?

When people are too passive. Nathan can’t stand it when he’s expected to initiate everything, from conversations to taking action, both in a work context (scheduling meetings, deploying new code) as well as personal context (scheduling to hang out, doing household chores). He also doesn’t like having to constantly ask people to do what they’re supposed to do– though this irritation more than often extends a little too far, to things he is expecting of people but never told them about.

Loud and unexpected noises, especially when done on purpose. Fireworks would be a great example of this, and they piss Nathan off no end. He gets snippy when people raise their voice at him for no reason, or when they keep banging their fist on a surface to get others’ attention.

Getting cut off in traffic. Nathan’s road rage is easily awakened and he can get a little drastic with it. His reflexes are fast enough to brake on time to avoid ending up in someone’s trunk, but will in that same breath speed right back up to crash into them on purpose as revenge for pissing him off.

What are three items you can find in their bedroom?

A large ring binder full of old code snippets, notes from various projects he worked on back at MOBIUS, and all his research ranging from neuroscience all the way to electrical engineering. Nathan is a little old-school in that regard– he’d much rather have all his research physically with him than save it all to some online storage platform and risk losing it like that.

A jigsaw puzzle, made entirely out of different pieces that he’s collected over the years (stolen from others’ puzzles, found in various locations, stolen directly from the store, etc). The full piece would total up to nearly 2000 pieces, though it is still missing a large chunk in the center; the result is an abstract piece containing mostly darker colors, though with various bursts of color scattered around like flowers in a field. Nathan isn’t the artistic type, but the project keeps him busy and he considers it a type of self-expression.

The knife he killed his parents with when he was sixteen years old. He’s not entirely sure why he kept it all those years– perhaps to remind himself what got him to where he is now, or because it’s the only thing he still has from that time of his life. Either way, it’s kept safe in the top drawer of his nightstand, easy enough to reach in case someone breaks into his apartment.

What do they notice first in a person?

First: State of mind, overall mood. How approachable do they look; can he afford to lower his guard or does he need to tread with caution, can he get close without worrying about a knife to the stomach or should he keep his distance? Nathan rarely shows immediate interest in someone’s overall personality, he would rather want to know which of their emotions he’s gonna have to deal with during their interaction(s).

Second: Body language. Ties in with the first thing mentioned– cautiously watching for threats, waiting to see if they make a move to touch (or harm) him so he can step out of their range. But it also extends a little further; Nathan tends to mimic others’ body language in conversation to make himself appear more approachable. If someone gestures a lot, he will do the same.

Third: Their smile, if relevant. Smiling is an eye-catching action to him, since he’s not one to quickly do so himself. It’s attractive to him; if someone smiles at him, you’ll be able to catch him staring.

Fourth: Scars, and other (skin) details. Nathan isn’t one to ask about them, of course– but they’ll catch his attention anyway, for a brief moment, since some of them already tell a story on their own even without words.

Fifth: Nervous tics, if relevant. By this point he’s been in conversation long enough to pick up on the little details– a slight thrill or shakiness to their voice, a thumb running over the side of their index finger, a nose twitch. In some cases it eases his mind, knowing the other person isn’t confident in their conversation either; in other cases it sets off alarms in his mind, and makes him wonder if there’s more going on than what they’re showing or telling him.

On a scale of 1 to 10, how high is their pain tolerance?

Physically: 7. While he doesn’t quite look like it, Nathan can take a hit or two. Most of his injuries happen in STEM– though with the way the technology works, the pain is very much real, and in some cases the scars are lasting even in the real world despite the damage having been sustained in STEM. To an extent, Nathan even enjoys the pain; it’s grounding for him, and keeps him from dissociating. When it gets too much to handle he simply drinks it away.

Mentally: 10. Nathan’s life has been a constant downward spiral; sent to a youth detention center after being wrongfully accused of killing his younger sister, and he was bullied relentlessly there, which continued until long after his release both at school and at home. At MOBIUS, he was required to work shifts in their HQ as well as in the Marrow, in the Union STEM environment– he was required to be mentally strong, or he would have already started suffering from mental erosion by long-term STEM exposure after his first few trips in. It takes a lot to break him (or so he likes to believe).

Emotionally: 4. Once you get past all the barriers, Nathan is pretty sensitive. He doesn’t deal well with rejection or misunderstanding, and is prone to assuming things are all his fault the second something goes wrong. It’s easy to upset him, though he won’t easily show; but the damage often takes a while to repair.

Do they go into fight or flight mode when under pressure? (Or freeze or fawn?)

Fight, more than often; though it may appear as flight at first, since Nathan’s favored combat approach is stealth and he will always find cover before doing anything rash. In certain cases, however, he would be more likely to freeze; especially anything related to Anima or an enemy type like her, where fighting is out of the question, and he knows that a single wrong move can mean his demise.

It translates to non-combat situations too– often willing to talk to people but his initial response is to get defensive and close himself off, and if not given a moment to regain himself it can lead to either fighting or freezing; biting back with similar ferocity or shutting down altogether, unable to pick up his rational train of thought in the heat of the moment.

It really depends on the type of confrontation, though; taking his own state of mind and who else is involved into consideration. He’s known to fawn when a situation starts feeling a little too familiar– generally surrounding the abuse he suffered from partially his parents, but mostly the Administrator.

What animal represents them best?

Wolf; bordering on dog motif, but cautiously so, requiring infinite patience and understanding to win his trust. Nathan is loyal and guarding to those he cares about, but he values his freedom– his choices and decisions are his and his alone, and anyone who tries to take that away from him will suffer the necessary consequences.

How would a stranger likely describe them?

Curious, above anything else. Distant, reserved; surprisingly well-spoken, almost technical in his interactions with others as if the whole conversation is pre-programmed in his mind. Nathan isn’t necessarily cold towards others, but people would also not be quick to describe him as kind; though there is a certain warmth to the way he speaks and looks at people, despite the fact he very rarely smiles and isn’t one to quickly compliment someone else.

Appearance-wise, people tend to notice the white strands in his black hair first. They’re clustered at the front of his head, and match with the white hairs in his left eyebrow and the white eyelashes in the outer corner of his left eye. Nathan has very pale and rough skin, patchy but dark facial hair covering up most of his acne (/scarring); and part of the skin around his left eyebrow is lacking pigment, though it’s a little hard to see. He has very pale and bright blue eyes, which can be a little unnerving when staring at them for too long. Many people cannot maintain eye contact with him for very long.

Do they have any hobbies?

Nathan’s career is directly intertwined with his hobbies, and he enjoys working on code even long after cutting ties with MOBIUS. Software development, application optimization– his laptop runs on an operating system that he coded entirely himself, and whenever he has some time to spare he can be found tweaking and optimizing it and adding new features.

To no one’s surprise, he’s a gamer. Shooters, roguelikes, survival horror– he does not play all too often as his schedule often doesn’t allow for it, but he generally doesn’t have a hard time playing on higher difficulties and enjoys the challenge. Nathan has tried his hand at game design and development too, but stopped quickly when he found it too similar to developing the Union environment in STEM.

And last, surprisingly, would be writing. Journaling, some sort of attempt at poetry, or articles he would want to send in to some website or appropriate magazine but never does– a lot of Nathan’s writing is for his eyes alone, but it helps as an outlet, it keeps him grounded. For a while after leaving MOBIUS, he worked on writing tech manuals for various employers to earn some extra cash, which also ties directly into his interests.